Like
a cat with nine lives, Nollywood actress, Omotola Jalade-Ekeinde, is
not giving up yet on her musical ambition. Ignoring calls by many fans,
industry players and critics alike, to quit delving into music and
concentrate on improving her acting career, Omo-Sexy is not bulging.
To prove that she means ,
the 34-year-old is in no way holding back details of her music sojourn
from anyone that cares. This time around she has enlisted the help of
producers from Akon’s Konvict Music label. But the question is: will
this translate her musical dream into a reality?
“I
am currently working with Grammy award-winning producer Kendrick Dean
and Verse Simmonds from Konvict Music and we are looking to feature a
special guest,” she revealed in a recent interview.
Besides, right from the debut season of her ongoing TV reality show, Omotola: the Real Me, she
has emphasisesd her love for music and the desire to forge ahead, no
matter the volume of knocks she receives. Regular viewers of the show
have seen clips of the Nollywood star undergoing voice training in the
UK, a visit to the late Reggae Icon, Bob Marley’s studio in Jamaica and
record sessions with a Ghanaian and British music producer.
But
just when one is about to wave these aside as nothing more than mere
hype, a recent tweet of a photograph taken at the Patchwerk Studio in
Atlanta, US, where she is seen recording a track with American star,
Bobby V (formally known as Bobby Valentino), raises many questions.
Although it is not clear if she is collaborating with Bobby V or not, one thing is certain – she sure means business.
Just
like the scenario that played out late last year when fellow
actress-turned singer, Tonto Dikeh, announced a decision to venture into
music/drop two singles on Twitter, despite warnings from fans, memories
of Omotola’s 2010 album, which was pegged at N1000 and therefore
beyond the reach of the average Nigerian, remains fresh in the mind .
Also, word on the street has it that the poor sales of her 2006 debut album, Gba , ensured
that Sound Factory, the record label that had invested so much in the
deal, could not break even and subsequently went bankrupt.
Although
she argues that the album was sold-out, the claim remains questionable
as not only are there no records to prove the claims, Gba is only remembered for its ‘funny’ hook.
As
though failing to learn from past mistakes, Omotola appears not to
realise that it takes much more than a musical collaboration – both
local and international – to make a hit. Besides the need to be armed
with a good voice, catchy tunes/hooks, a brilliant producer, mass-appeal
as well as a generous dose of hype, any collaboration ends up being
just another ‘musical affair.’
It is worthy to note that while Gba featured
stars like Ruggedman, OJB Jezreel, Pasto Goody Goody and Rymzo De
Gusto, the album failed to receive a five-star rating. The sophomore
album had Mode 9, Paul Play, Teeto and Harrisong on it. Yet very little
or nothing is known about the songs in it.
Omotola’s
latest venture brings to the fore the success or otherwise of the
growing trend of international collaborations between Nigerian and
international acts. D’banj and his erstwhile partner Don Jazzy could be
said to be the ‘first’ to take Nigerian and indeed African music fans by
storm with the Mr. Endowed remix with American superstar rap artiste, Snoop Dogg.
Then came the Koko Master’s Oliver Twist video,
released in the Post- Mo’Hits era, featuring Kanye West, as a cameo in
the video. Also, with the huge success achieved by Psquare on two
occasions, via Chop My Money Remix featuring Akon and Beautiful Onyinye remix featuring Rick Ross, several other artistes have been embracing the ‘international bug.’
In
the past, there have been claims or promises of collaborations – like
Eedris Abdulkareem’s purported collaboration with Busta Rhymes and Rita
Marley; Psquare’s failed attempt at securing a duet with Busta Rhymes;
Twin-X’s recording with Lil’ Wayne; and Freestyle’s T-Pain collaboration
hoax. As a result, some fans are sceptical whenever an artiste
announces an international collaboration.
Another
point is that it has not always been a rosy story when these collabos
come up. When news of Duncan Mighty’s collaboration with the lover man,
Shaggy, leaked, it was swallowed with a pinch of salt. Thankfully, it
did come to pass but not without the Port-Harcourt based singer parting
ways with Watch maker and Hollywood Jeweller to the stars, Chris Aire,
shortly after the latter helped secure the deal with Shaggy.
Others that did not quite make an impact despite the foreign input, include J Martins, whose Jukpa remix with Congolese Soukous musician Fally Ipupa, is more of a success in the East and South African market.
Also, Omo Baba Olowo, David O’s Da Mi Duro remix with Akon failed to make an impact ditto for Ice Prince’sMagician remix featuring the Jamaican Hold Yuh crooner, Gyptian.
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